Tag Archives: cello

Augustus John’s painting of cellist Suggia has a new life

I was doing a music video shoot a couple of weeks ago for a duo piece by the wonderful composer and flute player Katrina Emtage who wrote "Wind on Waves" for cello and bass flute. It was made by award winning producer Shaun O'Connor. (some great photos from the shoot are on his site)

The amazing outfits were made by designer Lisa Zagone. As I sat there being filmed it struck me in such a dress I was an embodiment of the Augustus John painting of Portugese cellist Guilhermina Suggia so I asked Shaun to take a photo of me to recreate the image.

Ilse-Painting Ilse-Cello-Painting-1

photo by Shaun O'Connor

 

I'm looking forward to seeing the end product of the shoot. Part of it I was lying in a pool of icy water, of course it was the coldest day of the year despite winter being officially over… and there was no hot water in the taps. I can tell you it was agony for arts sake…

Pagliacci

I'm enjoying the fantastic production of Pagliacci at the Everyman Palace. Our first night was last night. 9 musician/actors playing a reduced score, all by memory and moving about the stage with the singers. We are gods and godesses of the theatre, surrounded by the clowns/circus troupe and a whole gang of chorus.

Here is a promo clip

The costumes are stunning, by the amazing Lisa Zagone.

Recording Sessions

Another fun recording session for Caroline Fraher's new CD with the lovely and brilliant producer/guitarist Steve Cooney. As well as being a producer and guitarist, he has an amazing method for unlocking and teaching music, which I hope he writes the book for!  Caroline has a lightly sparkling, shimmering voice, and is singing gorgeous songs. This CD is going to be a winner for her, very beautiful.

Recording sessions take alot of concentration on the fine details.

The important things to remember are:

Give every note the right feel and placement. This means keeping relaxed and open to the music, and finding a way for your sound to blend with the other recorded instruments as though you are playing in the same room with them. You have to become part of the band.

Listen to tuning constantly. Especially relative to the track. This can become very difficult playing along with out of tune instruments already recorded, and very easy with a nicely tuned piano. Although if you have been playing alot with other stringed instruments, playing with the equal temperament of the piano can take some getting used to. It can feel like the tuning goes against what the ear naturally wants to hear. Keep tuning your instrument regularly throughout the session and listen for the blend of your notes with the other voices. You are looking for a place for your note that doesn't poke out. Unless poking out is called for…

Keeping the arms, neck and body relaxed whilst playing is essential. It is easy to start letting the tension sneak up after a few hours or even a few minutes of intense concentration. Get up, walk around, have the breaks you need, but mostly, consciously relax your right arm into each bow stroke. Release all the arm muscles just before each new drop in point/entry. You should do this all the time anyway.

Be prepared. If you are not being given a specific part to play, make sure you have the songs sent to you beforehand, and write out at least the structure, but also chords and melody line as well as any ideas you might have. Writing out the bass line of the chords and the melody or lyrics on top helps. The more prepared you are the more relaxed.

Don't talk too much while recording. Try not to explain your mistakes. When given ideas, take them on, and try them. Be like a grassy field swaying in the wind!! Nothing worse than arguing and getting stressed about ideas. Be gentle… you know the rave. Big egos are not needed when you are hired to do the job!!!

And enjoy it!

 

 

 

 

‘Child of Tree’ John Cage

Four hours of John Cage in the Triskel Arts centre in Cork last night with the Quiet Music Ensemble. Some incredible moments of freedom, beauty, peace, synchronicity, mirth (that was after in the pub) and incredible concentration from all 'sound artists' involved! I played Inlets with Sean McErlaine of QME and Mel Mercier who had performed this piece with John Cage! We had 4 conch shells each, of varying sizes. Water is swirled around inside and amplified, to create excellent glooping sounds. The music also includes pine cones on fire and a conch used as a horn. 32 minutes of glooping. Plus a short 15 minute version at the start of the performance while kids were around. Phew…

“If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all.” 

― John Cage

 

Also on the programme we played Four6, But what about the noise of crumpling paper and Ryanji, where I played the percussion part using the body of the cello and striking of the spike in unison, amplified to create an exciting yet funereal slow beat.

RTE Lyric F'M's Presenter Bernard Clarke and producer Eoin Brady were there to record the event, and Bernard did a stunning and pure reading of Cage's Themes and Variations, whilst various other Cage pieces were played around the venue, including Inlets, One10 violin solo from the balcony (lesya Iglody) Chaconne (Keith Pasco), harps, electronica of the Quiet Club and more… 

To be broadcast on Lyric fm Nova tonight

Timoleague Solo Concert

I had a brilliant time in Timoleage playing for the music amongst the mosaics series on the 30th July for my first in this Summer's solo concerts. The audience were lovely and the space has great acoustics. And a wonderful supper afterwards at Robert and Laura Travers gorgeous place. Delicious fresh from the garden produce and great company. Solo concerts proving not to be lonely at all! This is the show…

 

From Irish Airs to Australia Fair

 

An expressive, 'out-of-the-ordinary' performance of Irish Airs and contemporary cello pieces composed and arranged by Ilse.

Well known and lesser known Irish airs sing gloriously in their new raiment. Modern compositional techniques create ancient ethereal atmospheres and earthy moods.

Taking inspiration from the Irish and Australian landscapes Ilse creates a fresh, lyrical and emotional style of cello music.

A magical musical journey to lose and find yourself.

 

The program

 

Carrickfergus – trad. arr. Ilse de Ziah

El Cant Dels Ocells – Pablo Casals arr. D. Johnstone

Buachaill Ó'n Éirne – trad. arr. Ilse de Ziah

Driftwood – Ilse de Ziah

Fanny Power – O'Carolan arr. Ilse de Ziah

The River – Ilse de Ziah

Amhran na Leabhar/polka – trad. arr. Ilse de Ziah

 

Aisling An Oigfhir – trad. arr. Ilse de Ziah

Soilse in Darkness – Ilse de Ziah

My Country – poem by Dorothea McKellar

Blow by Blow – Ilse de Ziah

Cape Clear – trad. arr. Ilse de Ziah

Chicken and Fox – Ilse de Ziah

Pure Imagination – arr. de Ziah

 

Ozmosis Concert

OZmoSiS is a new ensemble that I formed with two other expat Australians living in Ireland.
We performed at the Cork School of Music and during the concert I played the premiere of an original work Blow by Blow

An Australian blow fly trapped in the window, the buzz, the irritation, the reminder of what is beyond the window
a reminder of what it is to be free, feelings of being being trapped, so near yet so far.
Working towards your goals blow by blow, a journey where there are all the elements of being a blowfly trapped, released
coming up against the invisible wall time and time again but still persevering,
still heading towards the light, the promise of freedom.

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Dido and Aeneas

Having a great time preparing for this. Don’t miss!

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Cork Opera House presents
Cara O’Sullivan Majella Cullagh Mary Hegarty in Dido & Aeneas by Henry Purcell

Directed by John O’Brien

Arranged by and featuring Marja Gaynor (strings)
with Carolyn Goodwin (winds), Ilse De Ziah (strings) & Piia Pakarinen (accordian)

And with Brendan Collins as Aeneas

Choreography by Inma Moya Pavon
Costume Design by Lisa Zagone
Set Design by John O’Brien
Lighting Design by Michael Hurley

For the very first time Cork’s International Stars Cara O’Sullivan, Majella Cullagh and Mary Hegarty will perform on the operatic stage together in Henry Purcell’s exquisite masterpiece Dido and Aeneas.

The 1689 Baroque work is given a stunning new arrangement involving elements of jazz, gypsy and tango and is set in a fantastical gothic world.

This one-hour opera, based on the Roman poet Virgil’s tragic story of Queen Dido and her Trojan lover, Aeneas, was one of the first operas written and performed in English.

In this new production, each of the four singers also plays their principal character’s subconscious other self – a concept which heightens the emotional and sexual tension created by the passion of hidden desires.

The new orchestration will be created by Baroque and contemporary music specialist and violinist, Marja Gaynor for a quartet of multi-instrumentalist musicians.

Dido and Aeneas offers a top-quality, not to be missed artistic experience for adults and an engaging introduction to opera for teenage audiences.

Performance Schedule
Tues 8 Feb – 8pm
Wed 9 Feb – 8pm
Thurs 10 Feb – 1.30pm & 9pm

Tickets: €20
Concession Tickets Available: €15
School Group Tickets: €12
Limited Early Bird €15 Tickets Available

Tipperary Song for Peace Competition

I played in the Song for Peace competition in Tipperary at The Simon Ryan Theatre, Excel Centre Tipperary. and we came a close second… but won the best Irish song.  Norman Pratt wrote the song and John Daly, Caroline Fraher and myself performed it. Take a look!

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